Subject movement
Describe a visible action that fits the starting pose: a small head turn, a sleeve moving in the breeze, or water rippling. Avoid making several subjects perform unrelated actions in the first attempt.
Start with a still image and a clear motion idea. Use XPT to shape the shot, protect the important visual details, and prepare a prompt for an available image-to-video workflow.
The image establishes the scene; the motion brief explains what happens next. A useful first shot has one main action and a small number of stable visual anchors. XPT helps you write and refine that brief; generation depends on the video tools available in your session or chosen production workflow.
Describe a visible action that fits the starting pose: a small head turn, a sleeve moving in the breeze, or water rippling. Avoid making several subjects perform unrelated actions in the first attempt.
Choose a static frame, a modest push, or a slow pan. Large orbits can require unseen parts of the subject and scene to be invented.
Name the face, product shape, lettering, horizon, or lighting that should remain consistent. Judge these across the clip rather than only in its first frame.
Provide the image where supported, or describe it precisely. State the crop, audience, and purpose of the shot.
Separate subject action from camera movement. Ask XPT for one clear shot with named details that should stay stable.
Use the available video workflow, then inspect the whole sequence. Return with one visible mismatch for a narrower revision.
Plan a restrained camera push around a stationary product, keeping shape, decoration, and label visibility under review.
Plan My Product ShotAdd a breeze, drifting clouds, or water movement while protecting the horizon and solid structures.
Animate My LandscapeChoose a small motion within original artwork, such as fabric or particles, before planning a more complex action.
Develop My Scene OpeningPlan a quiet repeating visual with a stable subject and compare the ending with the beginning before treating it as a loop.
Plan My Cover MotionReview the midpoint, changes in direction, and final frame. Watch for moving labels, reshaped hands, changing faces, and objects that appear or vanish. When the shot drifts, simplify the action or camera move before adding more instructions.
“Use this still as the opening composition. Keep the camera fixed while a light breeze moves the foreground grass. Preserve the mountain shapes, horizon, cabin, and daylight throughout the shot. Keep the movement subtle.”
Choose the next tool by what the shot still needs: a stronger source image, a new written scene, or speech synchronized to a face.
Prepare the still before planning motion. Remove a distraction or adjust the composition, then approve the source so an unresolved image defect does not carry into every frame.
Try freeStart from a written scene when there is no useful source image. Define subject, setting, action, and camera as one shot, then compare that route with a reference-led approach.
Try freeMove to an audio-led brief when the image needs to speak. Prepare final speech and a readable face rather than treating dialogue as ordinary background motion.
Try freeBring the still, define the shot, and give yourself a result you can compare frame by frame.
Build My Motion Prompt